Ramzi Aburedwan invites all the young members of the Al Mawsili association of Saint-Denis, led by Maoui Mohammed Arbaoui, as well as the students of the CMMD, the Orgemont Music Center, the Arcana association, and the Conservatory of Épinay-sur-Seine, to an exceptional concert centered on Arab-Andalusian music, the worthy heir to the Arab musical tradition transmitted in the 9th century from Baghdad to Córdoba and Granada.

It is in Nazareth that the uniquely singular poetry of Taha Muhammad Ali was born. An atypical voice in the Palestinian literary landscape. Throughout his life, he sought in the fragility of words the strength to resist. And it is his story, written by Amer Hlehel, a renowned Palestinian playwright and actor, that Sylvain Machac brings to life, with the musical collaboration of Ramzi Aburedwan. Faithful to the Arab poetic tradition, the music—created specifically for the play—fills the stage and punctuates the narrative.

Readings, music, and Eastern delicacies with Sabîl (Youssef Hbeisch on percussion, Ahmad Alkhatib on oud), Ramzi Aburedwan (bouzouki), and Sylvain Machac (actor).

C’est à Nazareth qu’est née la poésie si singulière de Taha Muhammad Ali. Une voix atypique dans le paysage littéraire palestinien. Toute sa vie, il a cherché dans la fragilité des mots la force de résister. Et c’est son histoire, écrite par Amer Hlehel, dramaturge et comédien palestinien de renom, que Sylvain Machac nous raconte, avec la complicité musicale de Ramzi Aburedwan. Fidèle à la tradition poétique arabe, la musique, créée pour la pièce, emplit l’espace scénique et ponctue le récit.

It is in Nazareth that the uniquely singular poetry of Taha Muhammad Ali was born. An atypical voice in the Palestinian literary landscape. Throughout his life, he sought in the fragility of words the strength to resist. And it is his story, written by Amer Hlehel, a renowned Palestinian playwright and actor, that Sylvain Machac brings to life, with the musical collaboration of Ramzi Aburedwan. Faithful to the Arab poetic tradition, the music—created specifically for the play—fills the stage and punctuates the narrative.

It is in Nazareth that the uniquely singular poetry of Taha Muhammad Ali was born. An atypical voice in the Palestinian literary landscape. Throughout his life, he sought in the fragility of words the strength to resist. And it is his story, written by Amer Hlehel, a renowned Palestinian playwright and actor, that Sylvain Machac brings to life, with the musical collaboration of Ramzi Aburedwan. Faithful to the Arab poetic tradition, the music—created specifically for the play—fills the stage and punctuates the narrative.

It is in Nazareth that the uniquely singular poetry of Taha Muhammad Ali was born. An atypical voice in the Palestinian literary landscape. Throughout his life, he sought in the fragility of words the strength to resist. And it is his story, written by Amer Hlehel, a renowned Palestinian playwright and actor, that Sylvain Machac brings to life, with the musical collaboration of Ramzi Aburedwan. Faithful to the Arab poetic tradition, the music—created specifically for the play—fills the stage and punctuates the narrative.